yali capkini episode 81 release date

yali capkini 81 english subtitles

yali capkini 81 english subtitles

yali capkini episode 81 release date

A successful screenwriter has the ability to think creatively and a strong storytelling, develops the characters in depth and presents the events in an impressive dramatic structure. He enriches his stories with his observation ability and research habit that feeds his imagination and equips them with convincing details. Mehmet Barış Günger, who wrote most of the first season and most of the second season of Yali Capkini, is a screenwriter who is unfamiliar with his story and characters, literally kicks on the progress of the story, gets ugly when his mistakes are pointed out in his face and gets a reaction, but he is not a successful screenwriter!

Because a successful screenwriter is first and foremost fluent in grammar. He writes fluent dialogues and scene descriptions, and perhaps most importantly, he can reflect different perspectives by empathizing with the essence of his character. He evaluates feedback to improve his script by being open to criticism and showing flexibility, and he creates stories that will connect with the audience emotionally. Let's put aside being a good screenwriter; let's discuss how good a person a screenwriter is who tries to make headlines by being jealous of his successor's effort (I can't call it success yet) to pick up the story after his failure?

One evening, I came across very subtle comments on Mehmet Barış Günger's speech in chat rooms on Twitter.

The first is from Burcusu, who voiced the thoughts of the majority audience, including me;

We already knew he was a bad screenwriter. After yesterday's speeches, it was also confirmed that you are a bad person! You are someone who ignores a child who is abused by his caregiver, his pain and traumas, and betrays the story you wrote yourself to make him look bad;

You are a bad person who repeatedly tries to portray a child as a perpetrator in order to ignore his story instead of telling the wounds of a child who was neglected by his family as a child, sexually abused by his caregiver who took the place of his mother;

You are a bad-minded person who tries to victimize an abusive, liar, and disgraced character who lures a young girl, who is considered a child by law, into a man's bed naked for money in the first episode, who deceives and abuses the child with money, and who slanders the man;

You are a bad person who tries to turn Kazım, who has fed his children leftovers for years and subjected them to all kinds of violence, into a comedy figure, who continues as if nothing happened in the next scene despite his unimaginable tortures, and presents the flow of the story;

You are a bad person who constantly opens new wounds for Seyran without seeing a single one of her wounds, who does not allow a single dream of hers to come true, who leads Seyran astray from her path in the scenario journey you set out to acquit the bad ones, who makes her experience unimaginable traumas and makes ratings from it;

You are a villain who tries to marry a married man and his daughter, bullies a victimized woman, inflicts psychological violence on a victimized young girl, tries to make Zerrin eat as a strong female figure, crushes the victims even more, adds strength to the villains and gives them victory;

You are the 58th lady who betrays everything we watch, mocks our intellect and conscience, makes us watch the false pregnancy of a child abuser for 16 weeks, destroys the real story, Seyfer. You are the one who wrote the chapter and destroyed Ferit even there!

It's a good thing you left Günger, it's a good thing they pulled Seyfer out of your dirty and ugly mind, even if it was at the end of the second season. Finally, we were able to watch scenes where Seyfer could talk about her feelings. We saw inferences about their psychology through the dialogues about them. 

We are trying to get them to pick up the wreckage behind them. At least, we are not watching a scenario that tries to show Ferit as the perpetrator by watching 2 women who abuse children, the pervert Sultan and her mistress who abuse children. This is the first time we are this close to Seyfer's real story. For example, Seyfer's dialogue in the scene in her glorious house could bring down your entire second season... 

While we are trying to reach Seyfer, whom you have ruined and tried to destroy and trample on many times, it seems that you are also trying to show yourself so that your new works are watched! Bon appetit to those who eat! As those who see your purpose, we wish that not a single work of yours will work. What job would someone who has no storytelling ability, who does not know what character and story continuity are, who repeatedly tries to destroy the main male character in a work where love stories are told because of his hatred for the actor and the character, and who only has the ability to write scenes, not scripts, have anyway?

Let's end the article with Sev's questions:

Which one of them will you apologize to me for?

1 - For humiliating a woman who was a victim of violence to an immoral mistress mock?

2 - For turning a man who was a victim of childhood abuse into a "milf skier"?

3 - For making Kazım, whose only good side according to Esme is his loyalty and who turns into a child with his father's voice, say to his son-in-law "You were right to cheat on my daughter" just to open a story for unnecessary people?

4 - For glossing over the main story of the series as the "Sacide incident"?

5 - For leaving Seyran, Seyran, the woman who gave hope to thousands of Seyrans, on the mountain and spitting in her face on TV?

6 - Is it because you put Asuman and Fuat in the background in the story and used them as extras?

7 - Is it because you are trying to write better than Seyran about the jealous Suna, who says "I am ready to live a thousand times what you have experienced" and who says "she should not wear it"?

8 - Is it because you can't slaughter a narcissistic character like Halis and execute your beloved Pelo?

9 - Is it because you wrote stories such as "what we have experienced and what we have not been able to live will always stay with me" to the immoral person you put under the stitches of your uterus and the milk of your breast before the milk of your breast dries to the cousin of the man you said you loved, whom you wanted to bring to the decision of marriage with the crime of forcibly abusing a 17-year-old girl in his bed?

10 - In short, are you going to apologize for betraying your own story and for claiming it more than you do?