yali capkini episode 77 release date

yali capkini episode 77 english subtitles

yali capkini episode 77 english subtitles

yali capkini episode 77 english subtitles The episode begins with Ferit's voice saying, "No story has a single narrator." While Ferit is trying to reach Seyran, Seyran pushes Ferit away from himself in order not to upset him, one day this desire increases even more and reaches the level of a game and completely detaches Ferit from himself, Suna's words are the kind that will touch very deep places in Ferit, so Ferit is experiencing a maturation that will take maybe 10 years in a single day.

As for Seyran; yes, the Seyran we know, the Seyran we know, who thinks about those around him before himself, who is in an unhealthy sacrifice. So far, we are not unfamiliar with the character. Seyran passes through Ferit for Ferit and Ferit passes through Seyran for Seyran.

With this renunciation and surrender to fate, Ferit ceases to be just Ferit as he assumes the identity of Korhan. His family, as usual, does not see or hear him; While he is drowning in pain, he clings to another with his survival reflex. His pain is now only in those three seconds when he realizes that the person next to him is not Seyran... They say that it is supposedly because he likes to start drawing, but I think it is to pass the identity given as at the beginning and to breathe in a little common memories... To be able to create a safe space for yourself in some way from the inspiration and memories he received from Seyran.

With the opposite effect, Seyran escaps from drawing and school, creating an artificial wall of freedom. While one tends to take refuge in memories, the other tends to run away, but at this point, a huge gap emerges: Seyran and Ferit, who get rid of their own individual identities when Seyfer does not exist.

It's not surprising, it's expected, but there's a huge loss of motivation in Seyran's new relationship; moreover, the Seyran in his new relationship is a Seyran we haven't seen before. Well, why he said yes to this relationship and why he maintained it is all a big question mark. Even in his most difficult moment, Seyran, whose voice of logic never stops, says 'yes' to a life he does not know without hesitation. 

Where should the audience put it? We say that he is very much in love; not by putting all our expectations aside; We witness that he made the conflict within him, his return to his essence, his pens and his dreams for Ferit. There is still a Seyran who cares about Ferit's happiness, for example, he is not angry. He pushes himself away, but waits. Of course, this is not a bad thing, his Ferit is a Ferit who 'does not accept fate' and 'somehow makes the impossible happen', but we cannot understand why he overcomes his fear of holding a new hand and living with this hand while waiting.

We understand that he is playing a trick on himself in his dreams and in every scene, but we cannot understand why he is playing this game. As a result, we judge and break away from the character. There is a character whose bond with his family, his traumas are shallow, and he is tossed around in pursuit of a new character, which the new audience does not recognize. 

The audience never understands what they are watching, where the events are connected, and does not have confidence. Moreover, while Seyran is the character who deserves the most happiness in the eyes of the audience, the fear of paying the price begins to surround the audience, and the audience provides an even more avoidant approach to the work.

If I leave Seyran and Ferit aside, Suna and her unclear motivations; An artificial, fall-off-the-roof AbSun wedding, an altered chemistry, makes me encounter AbSun. Again, the audience is in shock...

It is not clear how Abidin broke up with Ferit ... It's not clear when he met Suna... The audience does not understand how two people with arabesque and emotional and traumatized who have let each other down have entered such a soggy new dynamic and move away from the screen again.

This time, we come across the story of Orhan and his new mistress. We are watching a different version of the story that we are watching in its most despicable form; We say, 'Hmm, I think it will be a reference to that vile story that was badly closed at the time and to Ferit , who we don't know if he has learned from his mistakes', but it doesn't work. This time, we say that a cheap drama is being carried out, 'It will shed light on the immorality of Ferit's family throughout his life, it will shed light on the past, and something will be revealed about the trio of İbut, Orhan and Gülgün.' but no, this is not happening either. The daily drama continues...

The last time we left it, we say, 'It tells about Orhan, who has escaped from invisibility for the first time in his life,' or 'It gives the texture of İfakat between love and power,' but these things are never told.

This time, we are greeted by the newly reunited HatHal axis of the love of years. We say, 'While this axis enabled us to make so many inferences about Seyfer at the time, now the absence of Halis and what happened to him will tell us something', but no, Halis is almost not even mentioned. There is no Halis in the house, and the intrigue of Hattuç and İfakat, who deal with that power theme, is not even handled...

We leave the mansion and come to the Esme and Kazım axis. Esme, the woman of Anatolia, the silent cry of many people, escaped from Kazim's grasp, but there was not a single striking confrontation, there was not a single thing to be proud of that we could say 'oh' to.